olive, and only blow a hole with thin molded from mud, Xun is the original form one of about six thousand years ago. From our country at the end of the twentieth century began in the 1930s the production of antique pottery Xun. Later, they designed a new type of abalone Tao Xun, Yixing City, Jiangsu Province of pottery made of purple. This abalone Xun Xun has managed to maintain the tradition of the original shape and tone, and increases the volume, the expansion of the range, and the chromatic scale to blow, it could be the transfer of musical instruments, ancient and mellow tone, low tragic, very Rich features. Not long after, developed by Redwood ten holes Xun, Xun hard to play to solve the shortcomings of the treble.
Xun is also a pronounced edge instruments, but strictly speaking, it fell open wind instrument, like a musical instrument called the cavity. Yin Kong and the location of the pitch almost does not matter, only the volume and size of the cavity and are related to the size of Yin Kong. So long as you pleased, where according to the open hole are similar, according to the hole like convenience. It also brings convenience to the production.
关键字--
制作/了解/埙
研究意义--
了解中国古代乐器的神秘，及其制作工艺，进而了解中国五千年来优秀的文化。亲身体验来自文明古国源源不断的历史文化神秘感。
背景--
上一个暑假，我去了古城西安。到了那里我才真正领略到中国古老文化的独特魅力。秦始皇兵马俑，华清池，碑林，郦山……这一切都吸引着我的眼球。有一次，我到大唐芙蓉园去游览。当我来到一家陶瓷店的时候，我当时就被那些黑黑的，圆圆的，刻着许多漂亮图案的埙吸引了。于是我就进去体验了一把亲自制作埙的乐趣。在店主手把手的指导下，我终于作成了一个勋的毛坯，但由于我的美术基础实在不敢恭维，于是好心的店主替我刻了一幅美丽的图画，之后又替我烧制好，至此一件埙就做好了，我试着吹了一下，就被它浑厚的仿佛天籁的声音吸引。从此我对埙产生了浓厚的兴趣。（以上李鑫自述）由于我们组对于这个课题都很感兴趣，于是就开始了研究，我们对于埙的发声原理很感兴趣，为什么一个陶罐上多了9个洞就能发出那么优美婉转的声响，古人是怎样发明这种乐器的。
研究目的与假设--
通过亲自体验，完成埙的制作，在制作过程中体验上一页 [1] [2] [3] 下一页 |
